Bloom is a comedy written by Tom Gleisner, in collaboration with debut musical composer Katie Weston. Gleisner, no stranger to Australian entertainment—known for TV hits like Have You Been Paying Attention?, Thank God You’re Here, and Utopia, as well as co-writing the beloved films The Castle and The Dish—makes his musical theatre debut with this heartfelt production.

Inspired by a real-life Dutch care home where students lived rent-free in exchange for helping care for elderly residents, Bloom takes that idea and plants it in the fictional Pine Grove, a retirement home with the motto: “You may be olden, our care is golden.” Except, under the rule of the cold-hearted owner Mrs. Macintyre (Christie Whelan Browne), the reality is anything but golden and cost-cutting takes priority over compassion.

The story centres on two new arrivals: Rose (Evelyn Krape), a fiesty and fiercely independent woman who’s not ready to relinquish her freedom, and Finn (Slone Sudiro), a well-meaning but unqualified student who eagerly accepts free board in exchange for light domestic duties. Their unlikely friendship, along with a cast of residents and carers, forms the heart of Bloom.

Director Dean Bryant perhaps captures the show’s essence best: “Ultimately the piece illustrates something we all know—that the quality of care we extend towards each other is what determines the quality of life.”

Bloom is a musical comedy that blends laughter and loss while exploring some of life’s big questions, brought to life by a cast of memorable characters within the eclectic Pine Grove community.  John Waters is heartbreaking as Doug, reminiscing through song about how he was once the go-to guy for fixing things— a tradie – “good with his hands”—but now feels forgotten and unneeded. Maria Mercedes brings sharp comic timing to the role of kleptomaniac Betty, who zips around in her electric wheelchair, forgetting more than she remembers. There’s also the absent-minded thespian Roland (John O’May), and gentle artist Lesley (Jackie Rees). The collective groan from the audience when Mrs. Macintyre cuts the art supplies is telling—these are characters who have already had so much taken from them. Alongside the residents are the compassionate care workers Ruby (Vidya Makan) and Gloria (Christina O’Neil), offering warmth and humanity in a place where both are in short supply. The cast all did a great job and the age diversity brought a unique richness and depth to the performance.

There’s plenty of humour, tender romance, and nostalgic storytelling throughout. Songs like “When You’re Chasing the Clock” poignantly underscore the limited time we all have, while also celebrating the richness of the lives lived. There’s young love, old love, and the very human hesitation around risking your heart—no matter your age.

Set design by Dann Barber is cleverly designed, with walls that open up to reveal more space, and thoughtful touches like a tree adorned with photographs and large painted flowers bloom brightly.

The audience for this performance was largely made up of seniors, many of whom were laughing and smiling throughout. And yet, as I watched, I couldn’t help but feel a twinge of sadness. Weren’t they scared? They were, in a sense, “facing the clock.” It made me question whether I’d recommend Bloom to my own parents or older relatives—would it upset them? But maybe, they’re already thinking about these things. Maybe Bloom is exactly the kind of show that helps start those difficult but necessary conversations.

With a lump in my throat, I left the theatre reminded of something important: no matter your age, Bloom encourages you to grasp life with both hands, to take chances, and to say yes.

3.5 stars. 

Bloom is playing at Sydney Theatre Company until 11 May 2025. 

For tickets visit Sydney Theatre Company