As the familiar overture began, beams of light swept across the stage, gradually revealing glowing yellow cat eyes peering out from the darkness. Then, in a flash, cats were everywhere — rushing down the aisles and leaping onto the stage.

Touring Australia in celebration of the 40th anniversary of Andrew Lloyd Webber’s CATS, this production boasts a strong cast and impresses with its high-energy dance numbers. Presented by John Frost and David Ian for Crossroads Live, it is a Cameron Mackintosh and The Really Useful Theatre production — with Mackintosh also behind the original London and Broadway runs.

Adapted from T.S. Eliot’s whimsical poetry collection Old Possum’s Book of Practical Cats, the story unfolds over one magical night when the Jellicle cats gather for the Jellicle Ball. Their wise and benevolent leader, Old Deuteronomy, will choose one cat to be reborn into a new Jellicle life. While it contains a loose narrative, CATS is fundamentally character-driven, drawing from playful verses that explore the whimsical personalities of a diverse cast of cats.

Todd McKenney brings undeniable star power to his dual roles as Bustopher Jones and Gus the Theatre Cat, delivering an endearing performance laced with humour and pathos. His nostalgic ballad reflecting on past stage glory is both charming and heartfelt, adding depth to the comedy.

Among the triple-threat performers, Tom Davis as Skimbleshanks (Signal, the railway cat), Jake O’Brien (prankster Mungojerrie) and Axel Alvarez (the conjuring Mr Mistoffelees) stood out. Each displayed strong vocals, high energy, and remarkable acrobatic skill. Alvarez in particular, dazzled with ballet inspired moves of fouettés, pirouettes, and soaring leaps — all amplified by his glittering cat costume.

Jarrod Draper gave a solid performance as Munkustrap, the show’s narrator and storytelling tomcat. Mark Vincent brought authority and warmth to Old Deuteronomy and Des Flanagan brought a spirited energy to the role of the rebellious Rum Tum Tugger. While Flanagan lacked the swagger and feline magnetism of past performers, his vocal strength made for an engaging performance.

On the night I attended, Gabriyel Thomas was out due to illness, and swing performer Aimee Jones stepped in as Grizabella the glamour cat. Jones was excellent — her rendition of ‘Memory’ hit the emotional high peaks, her voice conveying the aching loneliness of a former beauty reliving her past.

Feline prowess was on full display as Olivia Carniato (Demeter) and Mia Dabkowski-Chandler (Bombalurina) delivered a sultry, jazz-infused rendition of ‘Macavity’ with honeyed vocals and captivating dance moves.

Costumes by Billy Roache echoed the familiar design style of previous Andrew Lloyd Webber productions, but some fell short in execution. The cockroach outfits, in particular, looked underwhelming — resembling garbage bags paired with flimsy toilet brushes for antennae — and could have benefited from more imaginative or refined detail. However, the ensemble shone in their 1980s-inspired getups — leg warmers and layers of fur — and their commitment to feline movement was impressive. With flicking tails, affectionate nuzzles, and graceful slinks, they personified cats to uncanny effect. The choreography (by Chrissie Cartwright) featured seamless tumbles, cartwheels, high kicks, and split jumps—performed with agility and synchronicity.

Alan Walker’s set remained static throughout – a junkyard of objects — car parts, rubbish, and a giant oven — allowing the cats to climb, swing, and dance through. While the set is effective and visually engaging, a change in scenery, particularly in Act 2, could have added variety. Notably, much of the additional ‘cats-in-the-aisles’ action took place in the lower level, with little interaction reaching the circle area.

In all, this 40th anniversary production of CATS stays faithful to its roots while showcasing a dynamic and talented cast. With standout performances, energetic choreography, and moments of genuine emotional resonance, it reminds audiences why this quirky musical has endured.

4 stars. 

CATS is playing until 30 October 2025. For tickets visit Theatre Royal Sydney

Running for 2 hours and 20 minutes (including a 20-minute interval).

CATS will then tour Australia: Adelaide, Perth, Melbourne and Brisbane. For tickets visit CATS The Musical

Looking for a post-show bite? Bambini Trust is located close by. For more suggestions, check out Bites & Sips.

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